Any good definition of transpersonal psychotherapy includes something about how we can consolidate, ground, and embody moments of transpersonal knowing. Over time, these moments can begin to come together in to a coherent pattern, a change of heart which opens new vistas of awareness and understanding for the person. Transpersonal approaches to psychotherapy seek to give value to these more expanded ways of knowing. One of the problems faced by therapists working with this material is how elusive it is, how hard to give words to.
Adopting creative approaches is of immense value to psychotherapists working in this way. Making a piece of art, whether it is a poem, drawing, sculpture, or collage, can be a way of communicating the ineffable. The glorious history of religious art is testament to this way of knowing. An art piece can hold things beyond the conscious awareness of the maker, which can then be thought about, felt through, known more fully, by the maker themselves and by others with whom they want to communicate.
A feature of collage is that is captures fragments. The fragments are then brought together in to a new image within which a new form, a cohesion, can be seen. Things are brought together in a new way. This is particularly helpful in psychotherapeutic work, of any kind, but in transpersonal psychotherapy the value is especially pronounced, as the person grapples with expanded ways of knowing.
Collages have to be viewed with an open and flowing awareness, otherwise they can just seem jumbled, irrational, confusing ragbags of only loosely connected imagery. This is similar to dream work. When we first begin to look at a dream, it can seem non-sensical. It is only through sitting with the imagery, feeling our way in to it, allowing intuition to operate to guide us through it, that gradually the dream yields to awareness. We begin to make sense of it, and even see the guidance it is offering. Working with collage can have a similar effect.
To work with collage effectively it is important to allow intuitive process to guide the work. Have a theme which is being worked around – perhaps the description of a spiritually meaningful experience or arising knowing, or perhaps a problem or issue which seems to have a greater significance than the personal, egoic struggle. Pick a few magazines at random (2 or 3 is enough), and go through them quickly, tearing out the pages and images which speak to the problem. Spend more time in refining the cutting out process, and placing and sticking on the page, but don’t think too much. Then sit with the result. What is new? What is coming forward in the new synthesis here? I sometimes then take a further step of writing a poem or piece of prose about the collage.
Alchemical imagery is often presented in collage form. In creating collages in transpersonal work, the person is building up their own treasure trove of alchemical emblems, describing stages and aspects of the process of transformation.
Here is a poem written when contemplating the otter collage – a poem which remains part of a process, but takes the understanding one tiny stage further on, in this case in to a prayerful and surrendering place (from an initial starting point of discomfort with the ‘sea-change’ happening in life at that time).
My heavy bones will bring me to the sea bed
To prey. To pray.
My heavy bones will bring me down
And from this place so close to earth, as I press my face to the mineral place in me, I can plant seeds. Enormous acorns.
Deep in my body, deep in my bones, the secret places under the sea.
If I pray with all of me
If I prey with all of me
Sea and land and sky…
If I pray with all my heavy bones.
So I would commend the use of collage as in intervention in any form of psychotherapy, but in particular in transpersonal psychotherapy. It can offer new ways of bringing together hard-to-articulate material, it offers a conduit for intuition, and a container for non-ordinary ways of knowing. By using collage you are joining a long and illustrious line of alchemists (transformation experts par excellence!), and religious art makers (in all traditions) in honouring intuition and creativity.